From janky-sounding acoustic tracks to trashy, thrashy lead parts, Segall sounds completely at ease with a guitar in his hands, no matter which other hats he might be wearing. Segall’s latest, Manipulator (Drag City), is a heady brew that mashes sunbaked psychedelic melodic strains with Blue Cheer-meets-Blue Öyster Cult riffs and the acoustic jangle of Zeppelin and Sabbath.Ī preposterously prodigious songwriter, Segall is no slacker when it comes to playing, having tracked nearly all the instruments and vocals on Manipulator. Since 2008, Segall has been channeling his inner Zappa, pumping out records by the fistful and embracing a singularly eclectic style. But get on the subject of 1960s psychedelic space rock or percussive acoustic guitar craft, and Segall is ready to take you to school. “I was the kid who learned by listening to Black Flag, playing two-finger power chords,” he concedes somewhat sheepishly with an undeniably Californian twang. Ty Segall isn’t your typical guitar geek. “I like weirdos.” Photo by Denée Petracek. “I definitely lean toward extravagant, psychedelic guitar playing,” says Ty Segall.
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